John Cage, 10 Rules for Students and Teachers

John Cage, 10 Rules for Students and Teachers

arpeggia:

Bruce Nauman - For Beginners (all the combinations of the thumb and fingers), 2010

arpeggia:

Bruce Nauman - For Beginners (all the combinations of the thumb and fingers), 2010

(via joydrurycox)

contemporaryartdaily:

Uta Barth at Andréhn-Schiptjenko

contemporaryartdaily:

Uta Barth at Andréhn-Schiptjenko

contemporaryartdaily:

Jan Dibbets at Barbara Gladstone

contemporaryartdaily:

Jan Dibbets at Barbara Gladstone

blindhandoffs:

Ed Ruscha, from “Various Small Fires and Milk” 1964, artist book

blindhandoffs:

Ed Ruscha, from “Various Small Fires and Milk” 1964, artist book

blindhandoffs:

New Catalogue, from “Various Fires,” 2003

blindhandoffs:

New Catalogue, from “Various Fires,” 2003

molly-brandt:

Aron Gent 

molly-brandt:

Aron Gent 

"Photography is, and has been since its conception, a fabulously broad church. Contemporary practice demonstrates that the medium can be a prompt, a process, a vehicle, a collective pursuit, and not just the physical end product of solitary artists’ endeavors. Addressing that multifarious terrain is a hefty challenge for most museums and galleries, and a genuinely impossible task for those who continue to believe photography is best sliced into monographic exhibitions and sometimes into classic genres and themes. (What other medium is still exhibited so regularly in those dreadfully tired categories “landscape,” “portraiture,” and “still life,” as per forty years ago?)"

Charlotte Cotton, “Nine Years, A Million Conceptual Miles” / Aperture Magazine (Spring 2013)

(Source: antonini-s)

sfmoma:

SUBMISSION:
Hayden Myrick

sfmoma:

SUBMISSION:

Hayden Myrick

blindhandoffs:

Michele Abeles, “#4,” 2012, archival pigment print, 83.8 x 63.5cm

blindhandoffs:

Michele Abeles, “#4,” 2012, archival pigment print, 83.8 x 63.5cm